Selection of acquisitions

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Acquisitions 2018

Catherine Biocca (1984)<br /><em>The Final Frontier</em>, 2018<em> &amp; Untitled</em>, 2018 <br />100 x 60 cm <br />Industrial marker on PVC print

Catherine Biocca (1984)
The Final Frontier, 2018 & Untitled, 2018
100 x 60 cm
Industrial marker on PVC print

Hans op de Beeck (1969)<br /><em>Sleeping Girl (small version)</em>, 2018<br />105 x 60 x 104 cm<br />MDF, polyester, polyamide, coating

Hans op de Beeck (1969)
Sleeping Girl (small version), 2018
105 x 60 x 104 cm
MDF, polyester, polyamide, coating

Florian Auer (1984)<br /><em>Not Yet Titled (Volumetric Lighting)</em>, 2018<br />185 x 140 cm<br />Digital print on transparent PVC, led stripes, cable power adapter and plastic clips

Florian Auer (1984)
Not Yet Titled (Volumetric Lighting), 2018
185 x 140 cm
Digital print on transparent PVC, led stripes, cable power adapter and plastic clips

Carlos Sagrera (1987)<br /><em>Stacking II</em>, 2018<br />190 x 140 cm<br />Acrylic on canvas

Carlos Sagrera (1987)
Stacking II, 2018
190 x 140 cm
Acrylic on canvas

Bob Eikelboom (1991)<br /><em>Summum Bonum</em>, 2018<br />149 x 219 cm<br />Charcoal on magnets, magnets, acrylic on steel

Bob Eikelboom (1991)
Summum Bonum, 2018
149 x 219 cm
Charcoal on magnets, magnets, acrylic on steel

Alma Haser (1989)<br /><em>Monstera Deliciosa, from Pseudo</em>, 2018<br />89 x 63 cm<br />Layered and cut digital pigment prints

Alma Haser (1989)
Monstera Deliciosa, from Pseudo, 2018
89 x 63 cm
Layered and cut digital pigment prints

Guido Geelen (1961)<br /> <em>Martijn</em>, 2011<br /> 229 x 85 x 59 cm<br /> Fired clay, brass, glass, butterflies

Guido Geelen (1961)
Martijn, 2011
229 x 85 x 59 cm
Fired clay, brass, glass, butterflies

Jeppe Hein (1974)<br /> <em>Fragmented Circle</em>, 2018<br /> 210 x 105 x 105 cm<br /> Stainless steel, mirror

Jeppe Hein (1974)
Fragmented Circle, 2018
210 x 105 x 105 cm
Stainless steel, mirror

Tony Oursler (1957)<br /> <em>GoBo</em>, 2017<br /> 213 x 183 cm<br /> Mixed media on panel - LCD screens

Tony Oursler (1957)
GoBo, 2017
213 x 183 cm
Mixed media on panel - LCD screens

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Acquisitions 2017

Matthew Day Jackson (1974) <br><em>Lumpenproletariat (Alive)</em>, 2010 <br>244 x 74 x 74 cm <br>Wood and plastic

Matthew Day Jackson (1974)
Lumpenproletariat (Alive), 2010
244 x 74 x 74 cm
Wood and plastic

Tom Woestenborghs (1978) <br><em>Reflection</em>, 2017 <br>120 x 100 cm <br>X-film, plastic tape and epoxy on Dibond

Tom Woestenborghs (1978)
Reflection, 2017
120 x 100 cm
X-film, plastic tape and epoxy on Dibond

Thomas Albdorf (1982) <br><em>Situation with Camper, One (So That's Her I Think)</em>, 2017 <br>60 x 42 cm <br>Pigment print on Hahnemühle Baryta paper on Dibond

Thomas Albdorf (1982)
Situation with Camper, One (So That's Her I Think), 2017
60 x 42 cm
Pigment print on Hahnemühle Baryta paper on Dibond

William Monk (1977) <br><em>Morning Smoke</em>, 2016 <br>270 x 240 cm <br>Oil on canvas

William Monk (1977)
Morning Smoke, 2016
270 x 240 cm
Oil on canvas

Melanie Bonajo (1978) <br><em>(Melissiër) Last child in the woods</em>, 2017 <br>110 x 73 cm <br>Ultrachrome Print on Canon Luster paper

Melanie Bonajo (1978)
(Melissiër) Last child in the woods, 2017
110 x 73 cm
Ultrachrome Print on Canon Luster paper

Xiaoxiao Xu (1984) <br><em>DouSan No. 5  (from the Series: Aeronautics In The Backyard)</em>, 2015 <br>100 x 100 cm <br>UltraChrome prints, Epson glossy with satin finish on Dibond

Xiaoxiao Xu (1984)
DouSan No. 5 (from the Series: Aeronautics In The Backyard), 2015
100 x 100 cm
UltraChrome prints, Epson glossy with satin finish on Dibond

Julius von Bismarck (1983) <br><em>I like the flowers (Monstera deliciosa)</em>, 2017 <br>166 x 143 cm <br>Pressed and dried plants, mounted on stainless steel plates

Julius von Bismarck (1983)
I like the flowers (Monstera deliciosa), 2017
166 x 143 cm
Pressed and dried plants, mounted on stainless steel plates

Andrea Grützner (1984) <br><em>Hive</em>,  2017 <br>110 x 80 cm each <br>Inkjet print on High Gloss paper, collage, mounted to archival cardboard

Andrea Grützner (1984)
Hive, 2017
110 x 80 cm each
Inkjet print on High Gloss paper, collage, mounted to archival cardboard

Indré Urbonaité (1986) <br><em>Untitled 11 (from the series: State of Shame)</em>, 2017  <br>210 x 75 cm <br>Vinyl on Alu-Dibond

Indré Urbonaité (1986)
Untitled 11 (from the series: State of Shame), 2017
210 x 75 cm
Vinyl on Alu-Dibond

Sarah van Sonsbeeck (1976) <br><em>Shelter #5 - 19.3% gold</em>, 2017 <br>140 x 110 x 22 cm <br>Goldleaf on aluminium

Sarah van Sonsbeeck (1976)
Shelter #5 - 19.3% gold, 2017
140 x 110 x 22 cm
Goldleaf on aluminium

Acquisitions 2016

Saskia Noor van Imhoff (1982) <br><em># + 21.00</em> <br>2016 <br>C print on aluminium

Saskia Noor van Imhoff (1982)
# + 21.00
2016
C print on aluminium

Sven Kroner (1973) <br><em>Untitled</em> <br>2016 <br>Acrylic on canvas

Sven Kroner (1973)
Untitled
2016
Acrylic on canvas

Erik van Lieshout (1968) <br><em>Untitled</em> <br>2015 <br>Mixed techniques on paper with vinyl stickers

Erik van Lieshout (1968)
Untitled
2015
Mixed techniques on paper with vinyl stickers

Pere Llobera (1970) <br><em>Untitled</em> <br>2016 <br>Oil on canvas with collage features

Pere Llobera (1970)
Untitled
2016
Oil on canvas with collage features

Erwin Olaf (1959) <br><em>Concealed Treasures VI</em> <br>2016 <br>Lambda print op Dibond

Erwin Olaf (1959)
Concealed Treasures VI
2016
Lambda print op Dibond

Antonis Pittas (1973) <br><em>Untitled (the money won't be given - it isn't there to be given)</em> <br>2015 <br>Graphite on marble

Antonis Pittas (1973)
Untitled (the money won't be given - it isn't there to be given)
2015
Graphite on marble

Caroline Walker (1982) <br><em>Sunshine Court</em> <br>2016 <br>Oil on canvas

Caroline Walker (1982)
Sunshine Court
2016
Oil on canvas

Thomas Albdorf (1982) <br><em>I Made This For You</em> <br>2016 <br>Pigment print on Baryta paper

Thomas Albdorf (1982)
I Made This For You
2016
Pigment print on Baryta paper

Markus Selg (1974) <br><em>Refuge (Ganvie)</em> <br>2014 <br>3 film frames, sublimation print on fabric

Markus Selg (1974)
Refuge (Ganvie)
2014
3 film frames, sublimation print on fabric

Nik Christensen (1973) <br><em>Something for the lost and found</em>  <br>2015  <br>Sumi ink on paper

Nik Christensen (1973)
Something for the lost and found
2015
Sumi ink on paper

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